Search. Home · – Gramatica Muzicii Psaltice. – Gramatica Muzicii Psaltice. February 9, | Author: Daniel Palade | Category: N/A. Gramatica Muzicii , 10 Mb, offered by Gabriela Barbu. The Gramatica is the “ABC” – the manual for the psaltes; it was written in , by a professor. Notaţia şi Ehurile Muzicii Bizantine by Grigore Panţiru Review by: James Gramatica muzicii psaltice – studiu comparativ cu notatia liniara.

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Furthermore, he cites not only classically famous chant manuscripts, such as the Codex Coislin of the Bibliothque nationale at Paris and the Codex Grottaferrata, but also draws our attention in muziici photographic repro ductions to other less-known but equally note worthy pieces, including Lectionarul evan ghelic” Ms8th-9th century, Central Library of the University in Iafi.

Band I, Teil 1: Below muzifii first page, it is written: Part II examines that Romanian ecclesiastical pasltice which legitimately preserves this Byzantine tradi tion within the modern Romanian Orthodox Church the modern period of Byzantine church music in Romania began in with the re forms spearheaded by the Metropolitan Hrisant.

Contains his transcription of the Kalophonikon Heirmologion into Romanian. We use information technology and tools to increase productivity and facilitate new formsof scholarship.

Any more info about psaltiec above books? Noteworthy, too, are Panfiru’s meticulously executed tran scriptions. Especially fine chapters on each of the modes and their respective intonations are in cluded.

It contains adapted works of Dimitrie Suceveanu, and works by Victor Ojog. Romanian Theory book N.

Notaia i Ehurile Muzicii Bizantineby Grigore Paniru

Despite its publication date ofthis study in Romanian deserves more than passing mention here since it may have been overlooked by those who do not regularly read the language. Is this considered the classical Romanian Anastasimatarion? The professor’s name was Nicolae Severeanu; he was a professor of Vocal Music, chanter and conductor of the Choir of the Buzau Muzocii Buzau is a province in the east of Romania.


Severeanufull book, 31 pages Gramatica Muzicii Psaltice.

Notaia i Ehurile Muzicii Bizantineby Grigore Paniru – [PDF Document]

A careful singer might notice the error and avoid it. It is a well-documented, well illustrated and exceptionally well-organized pres psaltoce of the trends in Byzantine musical paleography. Thanks to all people who contributed the info below. The Gramatica is the “ABC” – the manual for the psaltes; it was written inby a professor of psaltic music the byzantine music was called in Romania, at these times, “churchly oriental music”. Suceveanu and typed up by Fr.

Stavropoleos ChoirDir. This content downloaded from Notafia p Ehurile Muzicii Bizantine. Accordingly, the study is divided into two parts, the first historico-theoretical, the second didactic, useful exercises being ap propriately distributed muzicoi both.

Can someone comment on the quality of transcription of the chants into Romanian?

About these 2 particular books: Post on Jan views. I advise the interested reader not to be daunted by limited facility with Romanian, since a high percentage of cognates readily recognizable to the student of Byzantine chant and doubly famil iar to those knowledgeable in other Romance languages, in addition to the wealth gramatixa musical examples, assures its usefulness and interest to all.

Editura Muzical a Uniunii Compozitorilor, Typi cally, several classical interpretations of theoreti cal concepts for example, Wellesz, Petrescu, Heg, Thodberg, Raastedloosely corresponding to schools of Byzantine chant scholarship, are presented muizcii compared and hence provide a basis for the author’s own synthesis.

The em ployment of Romanian examples for illustrating various points of Byzantine notation additionally pzaltice to the highly interesting historical and ongoing dialogue between the Romanian and the Byzantine traditions. Web portal dedicated to Romanian Byzantine Chant.

Croitoru, Ion preot [WorldCat Identities]

Notafia yz Psaltcie Muzicii Bizantine addresses itself to the notation and echoi of Byzantine chant. The author’s purposes, as clearly stated in his introduction, are to provide a gener al and theoretical palographie reference, and secondly, to give practical experience in correct transcription.


In this part, Panfiru explains in detail the contemporary execution of Byzantine chant along with concepts necessary to proper execu tion. Panfiru concisely but thorougly characterizes each of the above periods while discussing notation, neumes, the martyria mode signaturegarmatica eight echoi, intonation formulae, interval and modulation signs.

Panjiru presents no original theories, but rather proffers a synthesis of the soundest and most representative research that has been undertaken to this point.

In brief, besides its obvious didactic value as a succinct and representative general introduction to the study of historical and contemporary Byzantine chant, Grigore Panfiru’s No tafia ji Ehurile Muzicii Bizantine is a kind of state of the art” report.

Croitoru, Ion preot

This topic has enjoyed an impressive amount of research during the present century, yet, given both the continual proliferation of new topics and the fascinating pursuit of problems stUl unsolved, it once again invites our attention. These books are still used today in our orthodox monasteries, which preserved the psaltic tradition, without changes.

Professor Pan tiru’s study amply satisfies both of these require ments. Part I treats the old Byzantine music, ecphonetic notation, and the Paleo-Byzantine, the Medieval, and the post-Medieval often called Koukouzelean epochs.

Egon Wellesz reminds us that successful re search in chant equally true of a successful reference work depends heavily upon two things: The score is good enough, nonetheless. Anothen Oi Profitai in Romanian, transcribed by D. Moreover, it embodies that basic and careful synthesis that is so important to ref erence use.

Casian Hanga score [63Kb, pdf] Fr Casian notes: JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive.